One of my favourite bands, Opeth, has a new album coming out this year, entitled Sorceress. This is the title track. It’s very heavy, very doom-y, very old-school prog.
I know that Opeth’s move from outright death-metal-style progressive metal to more 70s-oriented prog on Heritage (2011) divided the band’s fan-base. It took a while for me to really get into but I like it. But then I’ve always felt that bands should be free to do what they want, move in whichever direction interests them. And if I, as a fan, don’t like it, then fine—don’t listen to it. Listen to the stuff that you do like.
I’m really looking forward to the album being released on Friday 30 September.
The album was recorded at Rockfield Studios in Wales, where Queen recorded Sheer Heart Attack (1974) and A Night At The Opera (1975), including “Bohemian Rhapsody”.
Guitarist Mikael Åkerfeldt takes us on a tour of the studio.
Everything is a Remix is a series of four short documentaries by New York-based filmmaker Kirby Ferguson about how so many new things (music, technology, ideas) are actually inspired and influenced by what has happened before it.
I’ve had this on my “Must blog about this…” list for the last few years. I kept meaning to blog about it after part four was released and… well, I forgot. Sorry.
The Song Remains the Same
Part 1: The Song Remains the Same (7′ 17″) examines Led Zeppelin. Did they just rip off other people’s material, admittedly within legal bounds, and remix it to their own ends and success or was there more going on there? It’s a nice introduction, with plenty of examples, to the series.
Part 2: Remix Inc. (9′ 47″) looks at movies. In the last ten years of the 100 most popular films 74 are either sequels, remakes of earlier films or adaptations of comic books, novels, video games, etc. “Transforming the old into the new is Holywood’s greatest talent,” Ferguson notes. Standard elements are appropriated, transformed and subverted to create something new. And yes, Star Wars is in there. A lot.
“Creation requires influence. Everything we make is a remix of existing creations, our lives, and the lives of others”
After the credits roll Ferguson goes on to briefly look at Quentin Tarantino, and in particular Kill Bill.
The Elements of Creativity
Part 3: The Elements of Creativity (11′ 16″) opens with the words, “the act of creation is surrounded with a fog of myths […] but creativity isn’t magic.” Ferguson talks about copying and emulation. The greats, whether in music, literature or comedy, started by copying others and then slowly tinkering with them to create something new. The most creative leaps are when different ideas are combined.
“The basic elements of creativity are:
copy, transform, and combine.”
To explore this Ferguson looks at computers, begins with the kings of copying: Xerox and its role in bringing the Apple Macintosh to the mass market as a home appliance.
Following the credits Ferguson asks the question: if some of these great inventions, such as Sir Tim Berners-Lee creating the World Wide Web, hadn’t happened then would the world be a vastly different place today? He argues not. Often when something amazing is created there are often others working on something very similar at the same time.
Part 4: System Failure (15′ 26″) is the final part of the series. It begins with Luca (the Last Universal Common Ancestor) which is a core element in understanding evolution’s work of copying, transforming and combining. Culture does something similar, not through genes but memes (ideas, behaviours, skills).
Ferguson looks at the legal aspect of ideas. The law seems to think that ideas can be protected, that the boundaries around them are tidy. But in reality they are tangled and interdependent. For most of our history ideas were free. They could be copied and built upon but the market economy changed that. Our ideas could be bought and sold.
When we copy we justify;
when others copy we vilify.”
Having briefly looked at issues surrounding intellectual property and copyright laws he goes on to explore the fuzziness of software patents and litigation that has led to conflict rather than creativity and progress.
Ferguson ends with the challenge that to address the problems of today we (not corporations or governments) need to come up with the best ideas, we need them now and we need to spread them. Maybe this focus on over-protecting our ideas isn’t the best way forward, and given the evidence perhaps it’s not even accurate to say that anyone’s idea is unique and original: after all everything is a remix.
It’s an interesting idea. It certainly holds a lot of weight in my experience. Something to explore further I think, in many areas of life perhaps: web development, writing, politics, music…
Something I didn’t realise was that in May’s original design for the guitar, which he built with his father, he had included an ‘F-hole’, like a violin. The article shows an arch top guitar that Andrew Guyton from Guyton Guitars built for him featuring that F-hole.
What is not featured on the video is that Brian May Guitars now make a large number of variations of his iconic guitar, including the original (in a variety of finishes), a mini guitar, an acoustic and now a bass.
I remember as a teenager making sketches of a bass guitar version of the Red May Special. I wonder if I still have them? I dreamed that one day I would build my own… maybe one day. Now I see that both Brian May Guitars and Guyton Guitars have built bass versions and they are quite beautiful pieces of craftsmanship.
There’s a new book scheduled to be published by Hal Leonard next month with the snappy title Brian May’s Red Special: the story behind the home-made guitar that rocked Queen and the world. More information on the Queen website.