Something I didn’t realise was that in May’s original design for the guitar, which he built with his father, he had included an ‘F-hole’, like a violin. The article shows an arch top guitar that Andrew Guyton from Guyton Guitars built for him featuring that F-hole.
What is not featured on the video is that Brian May Guitars now make a large number of variations of his iconic guitar, including the original (in a variety of finishes), a mini guitar, an acoustic and now a bass.
I remember as a teenager making sketches of a bass guitar version of the Red May Special. I wonder if I still have them? I dreamed that one day I would build my own… maybe one day. Now I see that both Brian May Guitars and Guyton Guitars have built bass versions and they are quite beautiful pieces of craftsmanship.
There’s a new book scheduled to be published by Hal Leonard next month with the snappy title Brian May’s Red Special: the story behind the home-made guitar that rocked Queen and the world. More information on the Queen website.
I don’t get to play my guitar as much as I did before I had children, or at least I haven’t yet made it a priority. I have a couple of acoustic guitars (a four-string bass and a six-string electro-acoustic) sitting in my study behind me which I pick up now and then and play along to a song on my PC, or I sit in my chair with my guitar and play whatever comes into my head.
The reality of having children is that I have less time to dedicate to my own projects (which I’m not complaining about, I love spending time with my three boys) so I have to choose which I want to focus on. Right now I’m working on a couple of websites: one for me, the other for the lovely Jane. But somewhere on my backlog there is mention of my guitars. One day…
When that day comes I have a shelf-load of guitar books; some books on theory and technique, more, however, note-for-note tablatures of some of my favourite albums and artists. I also have this application on my phone: Chord!
Chord! is the closest thing I’ve been able to get for my beloved Chord Magic by Andy Gryc, which was a 16-bit MS-DOS application from the mid-1990s. What I loved about that was I could dial in absolutely any chord, at any point on my fretboard and it would show me the fingerings. Or if I found a cool-sounding chord while jamming, I could indicate on the virtual fretboard which notes were being played and Chord Magic would tell me the name (or variant names) of the chord.
You can do much the same on Chord! Unlike many applications it’s not just a dictionary of chord positions, it knows music theory so it calculates everything on the fly. It’s been such a useful tool already, and it looks great on a tablet too.
Of course, no respectable music room would be complete without a Steve LawsonBass: The Final Frontier poster.
Or a wall of classic 80s and 90s REAL METAL on cassette.
Today’s random blast from the past from Gareth’s Amazing Wall of Metal™ is Crowforce’s self-titled album from 1992. Who could forget such metal/crossover classics as “White King”, “Judas Kiss” and “Eaten By Dogs”?